ABC News Pours The Champagne to Celebrate First ‘GMA’ Weekly Win Since 1995
By Chris Ariens on April 19, 2012 2:40 PM
More than 200 ABC News staffers packed the 5th floor
newsroom this morning for a toast and
celebration of “Good Morning America” breaking the “Today” show’s
winning streak that lasted 16 years and 16 weeks.
ABC News president Ben Sherwood,
who was executive producer of the show when it came within striking distance in
2005, gave two toasts: first to his colleagues at NBC, acknowledging the
streak, and a second to his team and all those who came before, including
former longtime executives David Westin,
Jim Murphy,
Phyllis McGrady
and Shelley Ross,
who was EP of the show for more than five years, beginning in 1999.
One longtime ABCNewser emailed, “The energy in the
building is electric.” Sherwood, who first joined ABC News in 1989 talked about
how before the streak, “We’d win a week, they’d win a week, then we’d win.” The
back-and-forth ended on Dec. 11, 1995 when “Today” began its until-now unbroken
852-week winning streak. Sherwood himself jumped to NBC News in 1997 working on
“Nightly News” before returning to ABC to oversee “GMA” in 2004. Sherwood
talked about how many of the the show’s current staffers were in junior high or
high school in 1995. News anchor Josh Elliott
had just graduated from college.
Diane Sawyer and Chris Cuomo,
former anchors on the show were in attendance while the current team of Robin Roberts,
George
Stephanopoulos, Sam Champion,
Lara Spencer
and Elliott said a few words.
James Goldston who oversees the
show as SVP, as well as Senior EP Tom Cibrowski
also spoke. There was a lot of hugging, an insider tells us.
"Good Morning America" breaks
"Today" show's streak
"Good Morning America," co-hosted by George
Stephanopoulos and Robin Roberts, beat out "Today," drawing almost
5.17 million viewers and was ranked No. 1 in the morning slot for the week of
April 9, according to Nielsen ratings data on Thursday.
"Today" co-host Matt Lauer was away on vacation
during that week.
Morning TV shows are crucial to the networks for their
popularity with advertisers and profitability compared to more expensive shows
such as dramas and comedies.
The rivalry between the morning shows has been heating up in
recent weeks. Katie Couric guest hosted "Good Morning America" two
weeks ago, and NBC responded by booking Sarah Palin to drop in to co-host
"Today."
Couric famously embarrassed Palin during the 2008
presidential race when the then Republican vice presidential candidate
struggled to name which newspapers she regularly read.
"We congratulate our friends at 'Today' for the
greatest winning streak in broadcasting history and for their excellence and
leadership during this historic run. It's a special day for ABC News," Ben
Sherwood, ABC News President, said in a statement.
Stephanopoulos tweeted, "What a milestone!"
"Today" noted in a statement it still beat
"Good Morning America" among 25-45 year-olds coveted by many
advertisers.
'Today' Falls to 'GMA,' Leaving NBC
With Nothing to Brag About
NBC’s been in free fall for quite some time, ever since “Friends” and
“Seinfeld” called it quits. But it always had a golden parachute it could count
on it: Its dominance in the morning, the most lucrative part of the day.
No more. It’s
now official: “The Today Show” has fallen to No. 2 in the ratings, behind
first-place “Good Morning America.” The ABC wake-up show attracted 31,000 more
viewers last week, on average, than its rival. It’s the first time in 16 years
any show other than “Today” has won the morning.
The importance of this is both large and mostly symbolic. ABC is unlikely to
hold onto the ratings crown for very long. NBC will take it back late this
summer when it broadcasts the Olympic Games from London, an event with
infinite tie-in opportunities for “Today.” Perhaps it will recover even
sooner.
We're No. 2! We're No. 2! (Image credit: Getty Images via @daylife
Ah, but that symbolism. Like all advertising-based businesses, network TV is
largely about bragging rights, and now NBC has lost the last ones it had. CBS is first in total viewers. Fox is first in the 18-to-49
race and has the top-rated show on TV, “American Idol.” ABC may fall back to No.
2 in the morning temporarily, but it’s clear its anchor team of Robin Robertsand George
Stephanopoulos is working better than NBC’s tandem of Matt Lauer and Ann Curry. NBC knows that;
that’s why Curry is rumored
to be on the way out, with Savannah Guthrie her likely
replacement. Even the little pockets of strength NBC had left are crumbling. In November,
David
Letterman beat Jay Leno for the first time in 17 years. “Meet the Press,”
once the unchallenged champion of Sunday morning shows, now
typically comes in No. 2.
The only light at the end of the tunnel is “Sunday Night Football,” which
last season was
the No. 1 show on television for the duration of the NFL season. September
can’t come soon enough for NBC.
CBS Keeps Its Eye on the Prize With Bigger Focus on Hard News
Armed With Revamped Morning Show, Tougher Evening-News Anchor, the Network Banks on a No-Fluff Strategy to Bolster Ratings, Trump Rivals
With eyes riveted two weeks ago on Katie Couric's re-emergence on "Good Morning America" and Sarah Palin's guest-host role on NBC's "Today," you'd think CBS's effort, a perennial laggard in the AM-show wars, would be lost in the shuffle again. Not so.
Heather Wines/CBS
"We're just over here doing our thing, and we think we're attracting more people as a result," said David Rhodes, president of CBS News.
After an unsuccessful flirtation with Ms. Couric's lighter style and a rather conventional morning-news show, CBS News is trying to differentiate itself with hard news. It's a gutsy move considering that many of its rivals have thrived -- and generated lots of ad revenue -- by staying more ambivalent about a hard-news image.
John Paul Filo/CBS
Since Mr. Rhodes and CBS News Chairman Jeff Fager took the reins at CBS News last year, the pair have put in place a new evening-news anchor, Scott Pelley, with a reputation for more gravitas than Ms. Couric; expanded Sunday's "Face the Nation" to an hour from 30 minutes; revamped the morning-news program with hosts like Charlie Rose and Gayle King; relaunched "Person to Person," an occasional newsmagazine whose roots date back to when Edward R. Murrow held sway at the network; and even hired Wynton Marsalis as a cultural correspondent.
"I do think there's a real hunger for real news in America," said Mr. Fager, also executive producer of powerhouse "60 Minutes." "These are rough times. The economy is a real problem for most Americans, and the world is a relatively unstable place right now."
Though CBS's evening and morning newscasts continue to trail their rivals, the audience for Mr. Pelley's newscast grew by 5.8%, to 5.97 million, in 2011, according to the Pew Research Center's Project for Excellence in Journalism. That's more growth -- although from a lower base -- than NBC's "Nightly News" and ABC's "World News" had in the period.
As for the revamped morning show, said Mr. Rhodes, "we just need to keep our head down, doing our work, and grow."
None of this is to say you can't find serious work at NBC or ABC or that CBS's operatives aren't prone to saying something lightweight. ("What makes you a great businessman? I mean, you really have brought magical talent to business," said Mr. Rose to Magic Johnson on the April 10 edition of "CBS This Morning.") CBS's focus is one borrowed from TV's highest-rated newsmagazine show, its own "60 Minutes." "News has become a pretty generic commodity, so it's not really news they're selling," said Victor Neufeld, executive producer at Fenton Communications and formerly with ABC's "20/20," CBS's "Early Show" and CNN's "Paula Zahn Now."
"It's not even hard news. It's the allure of what has been connected to "60 Minutes,' " Mr. Neufeld added. "If CBS can spread the power ... of that brand throughout its programming, that is smart management."
CBS has reason to expand the "60 Minutes" feel to other news properties. The show commands about $122,000 for a 30-second ad, according to an annual Ad Age survey -- well above NBC's "Dateline" or "Rock Center," ABC's "20/20," and even some prime-time dramas. The show's history and devotion to longer-form segments promote a blue-chip image that is hard to duplicate.
Whether or not the network can trump ABC or NBC's better-watched morning and evening newscasts remains unanswered. Mr. Moonves implied that he can tolerate a slow build. "We do care about the business side, but it's more important that they represent us in a really positive light and as a cultural force," he said. CBS News turns a profit, he added, though not as much as other network divisions.
Despite the high-minded intent behind the news effort, no one at the network wants the smallest viewership, even if shunning frilly topics could mean drawing a narrower, albeit more-educated and higher-income, crowd.
"We're not doing this as an exercise in how to do quality broadcast journalism," said Mr. Fager. "We want quantity as well."
Mike Wallace: Showman, Newsman, Legend
Mike Wallace was known for his hard-hitting interviews on "60 Minutes," but he was also a consummate showman who found a way to sell himself in TV's earliest days.
Photo Peter Freed
Mike Wallace
Mike Wallace
Before joining CBS in 1968 as a co-host (with Harry Reasoner) of "60 Minutes," Mr. Wallace, who died at the age of 93 last week, served as host for a number of radio and TV programs, first as narrator/announcer, then as a reporter, actor and program host. There was no hard line then between entertaining audiences and informing them, and Mr. Wallace was able to use his talents to do both. He even appeared in cigarette advertising (a strange job, given his later controversial work investigating tobacco companies), and had to promise to drop his commercial endorsements before CBS would bring him onboard.
His first network-TV news program was ABC's "The Mike Wallace Interview," but he got his chops by working on a local New York TV show called "Night Beat," in which he relentlessly questioned his guests. Some people called the program "Brow Beat."
Of course, Mr. Wallace will best be remembered for the decades he held forth on "60 Minutes," where he did hard-hitting pieces on everything from Dr. Jack Kevorkian to legal prostitution in Nevada. He pioneered the use of the "hidden camera" technique, in which misdeeds were captured on film and then shown to interview subjects to provoke maximum shock on screen. He was also a showman who knew the world of marketing well. Mr. Wallace started in radio in 1940 at WXYZ in Detroit, where he was the narrator for "The Green Hornet" and also a "Cunningham News Ace," reading the news sponsored by the Cunningham Drugstore chain. He even appeared as the lead in a police drama, "Stand By for Crime." The 1949 show was the first to be transmitted from Chicago to the East Coast.
In a business where the story is supposed to come first and the reporter's personality a distant second, Mr. Wallace proved the two could run neck-and-neck.—Brian Steinberg
No comments:
Post a Comment